A STYLISTIC ANALYSIS OF CHIMAMANDA ADICHIE’S “PURPLE HIBISCUS” AND CHINUA ACHEBE’S “ANTHILLS OF THE SAVANNAH
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- NGN 3000
Abstract
Language and style never moves beyond a concentration on the supremacy of words. Literary piece (such as novels) somehow contain meaning of style with language; effectively manipulated in ways that signal it as different from “ordinary” language. A stylistic analysis of Chimamanda Adichie’s “Purple Hibiscus” (2003) and Chinua Achebe’s “Anthills of the Savannah” (1987) is carried out to educate, explicate and expose everybody that come across this paper, in guiding them on how to analyse and understand these prose texts. It also examines the uniqueness of stylistics as it concerns both the combination of linguistics and literary study of the texts being reviewed. The data used to illustrate and substantiates our claims are systematically sourced from the selected Nigerian prose texts earlier mentioned. The lexico-semantic patterns and choices, the phonological, morphological, syntactic and graphological devices are the main stylistic elements coupled with rigorous in-depth analysis of the figurative language employed in selected prose texts which are used to prove our claims. Finally, we find that each of the elements however, has identifiable functions which contribute to the effective meaning of the texts. Therefore, it can be concluded that these elements trigger and play important roles in passing the intention of the writers/authors across their audience. Comparatively, this research discovers that Adichie borrows a lot from Achebe’s manner of writing in simple free-flow linguistic and stylistic presentations, there is, nevertheless, a wide disparity in their sexist beliefs and ideological orientations. This implies that; while Achebe tends towards phallocentric predilection, Adichie subtly differs by pitching a camp with her gender lot – Feminism. This creates a wide valley between the two mountains
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